In a boutique off Lancaster鈥檚 main street, colorful cocktail glasses sparkle in the light of a chandelier. But, shop owner David Annecy鈥檚 favorite part of the store is much less flashy.
He often ushers customers past the shelves of bright glimmering glassware, toward a wall of black and white photos. They show women 鈥� with hair perfectly coiffed 鈥� painting on a factory floor.
鈥�They would pick up a frosted glass from the pile, hand paint the design, set it on there, turn the table and start on the next glass,鈥� David said.
The images trace through the life of one Ohio glassware pioneer: Fran Taylor.
At the age of 24, Fran Taylor opened her glassware studio in 1939, with just a $30 investment. By the time she brought it to Lancaster seven years later, it was a multi-million dollar business. It specialized in mid-century modern glasses, each hand painted with whimsical designs.
She valued being joyful and trendy, so she dubbed her world-renowned business 鈥淕ay Fad Studios.鈥�
It鈥檚 just one in a long line of glassware companies that have called Ohio home. For over a century, glass has been a vital industry in the state.
In southeast Ohio, a rich supply of sandstone and natural gas has attracted glassware companies of all kinds to set up shop in the city of Lancaster, known as the 鈥淕lass Town鈥�.
The glass ceiling
The company鈥檚 name caught David Annecy and his husband Jason鈥檚 attention after they moved to Lancaster in 2016. The couple began looking into Gay Fad鈥檚 story.
That led them to Stephanie Taylor, Fran鈥檚 daughter. She says her mom wasn鈥檛 always welcome in the male-dominated boardrooms of the 1940s.
鈥淭he way she countered that was by impeccably dressing and wearing high heels and being very proper and controlled in everything that she did,鈥� Stephanie said. 鈥淪he was the chief executive officer, in a time when it was unheard of [for a woman], particularly in Ohio.鈥�
But Stephanie said her mom worked to normalize it. Most of her employees, including top leadership, were women, and she was passionate about recruiting young female artists.
鈥淪he had a daycare and then they had a break room that served cocktails in the evening. She was into creating community,鈥� Stephanie said.
But, it all came to an abrupt end in 1962.
Stephanie said a rival company took a tour, stole a year鈥檚 worth of the company鈥檚 designs and then rushed those products to market before her mom could.
The business never recovered. It closed, and, not long after, Fran got in a car accident which caused her severe brain damage.
Shattering norms
David and Jason didn鈥檛 want Fran鈥檚 story to end there.
With Stephanie鈥檚 permission, they reopened Gay Fad Studios in 2022, six decades after its closure. Jason uses his background as an artist to bring out new designs, inspired by Fran鈥檚 vision. They鈥檝e even been able to unearth Gay Fad designs that never made it to market.
鈥淎lmost righting the wrongs of history and finally fulfilling what was supposed to happen 鈥� reviving these patterns and finally putting them on glass,鈥� Jason said.
But, more importantly, they鈥檙e continuing Gay Fad鈥檚 mission. They started the Fran Taylor Fund to give scholarships to young artistic women, and they source much of their glass from women-led companies. And, they鈥檙e breaking the mold in their own way in rural Ohio, Jason said.
鈥�Being a gay couple with a store called Gay Fad Studios, that you can't deny for where we are in history, that in a sense, we're also bringing about a conversation,鈥� Jason said.
To do so, David said they鈥檙e following the blueprint Fran left behind for them.
鈥淚n many moments, we will often say to ourselves, 鈥榃ell, what would Fran do or what did she do?鈥�,鈥� David said.
Fran pioneered an annealing process that ensured her designs wouldn鈥檛 fade from the glass 鈥� a way to keep her work eternal. The Annecys want to ensure her legacy is just as permanent.